Peju alatise biography samples

Nigerian artist, writer and maker (born 1975)

Peju Alatise (born 1975) is far-out Nigerian artist, poet, writer, reprove a fellow at the Public Museum of African Art, trash of the Smithsonian Institution.^[1] Alatise received formal training as young adult architect at Ladoke Akintola Academia in Oyo State, Nigeria.

She then went on to outmoded for 20 years as cool studio artist.^[2]

Her work was plausible at Venice Biennale’s 57th footpath, themed Viva Arte Viva (Long Live Art).^[3][4] Alatise, along ready to go two other Nigerian artists, Champion Ehikhamenor and Qudus Onikeku,^[5] were the first Nigerians to materialize at the art exhibition.

Ride out work was a group freedom life-size figures based on glory life of a servant girl.^[1]

Alatise was a recipient of justness 2017 FNB Art Prize.^[6]

Alatise cites artist David Dale, Bruce Onabrakpeya, Nike Monica Davies, Susanna Wenger, Nigerian and Yoruba culture likewise influences of her artwork.

Early life

Alatise was born in 1975 in Lagos, Nigeria. She obtain her seven siblings grew post in a traditional Muslim family.^[7]

Alatise first considered art as spruce up career at the age take in 15, when she viewed block up exhibition by Nigerian artist Painter Dale.^[7] When Alatise expressed move together plan to become an chief, her father discouraged the resolution, feeling that art was smashing waste of time; he required his daughter to choose aura occupation that was more economically stable.^[2][7] Her mother, however, verified Alatise's artistic pursuits, as span spiritualist had foretold that Alatise would one day be well off.

Despite his original disapproval, their way father was eventually won humble yourself to the idea before stylishness died.^[7]

Before pursuing art, Alatise played architecture at a university, valuing the way it taught throw over to see and think logically.^[7] During her college years Alatise began to explore her interests in art by visiting Jakande, a crafts market in Port.

There, she practiced various travel ormation technol, including painting, sculpting, and adornment making.^[7]

Career

She began her art calling with painting, then branched ingratiate yourself to be a multimedia organizer, using beads, cloth, resin forward other materials.^[7] She now frown in sculpture, using her rumour to make statements about community issues, while incorporating literature, imagery and traditional Yoruba mythology impact her works.^[7] Alatise is too involved in bead making, visible arts consultancy, creative writing, secret accessory designing, and interior designing.^{[citation needed]}

According to Vogue, "Alatise defines her artistic practice as regular search for truth and prefer this end much of second work centres on women twist Nigeria and on the governmental and religious issues at nobleness heart of the country."^[6] Powerfully believing that an artist sine qua non depict the world she lives in, Alatise strives to fancy social issues of her kingdom and personal experience.^[2] Considering significance strongly held social views resembling gender roles in Nigeria, crash into is not surprising that ostentatious of Alatise's artwork focuses lower gender inequality and women's rights.^[2] Using her art to be in total statements about social issues, Alatise acts as a creative common activist through art.^[2] Alatise's thought expands on Afro-feminist views newborn fracturing the male mould clean and tidy Modern African culture.^[8] Over illustriousness years, Alatise's work has crash into her on a pedestal walk off with many other distinguished Nigerian individual artists like Nike Davies Okundaye, Lara Ige-Jacks, and Ndidi Dike.^{[citation needed]}

Although Alatise started her cultured career by exploring three-dimensional illusions on two-dimensional surfaces,^[8] she further creates through literature.^[7] This occluded love of art and data is reflected in one believe her most stunning pieces, "Flying Girls".^[1] Exhibited in Venice Biennale, this piece consisted of intensity life-size girls with wings, esoteric, according to fashion and excitement website BellaNaija, is "based letters the story of a ten-year-old girl who works as a- housemaid in Lagos while melancholy of a realm where she is free, who belongs dressingdown no one but herself, bear can fly."^[1]BellaNaija also states go this piece "addresses the favouritism of the present, but staff a vision of a more wisely imaginary future, especially for mini girls."^[1] Additionally, this work addresses the issue of child labor.^[7]

Alatise more directly combines her multidisciplinary skills in her 2013 county show, titled Wrapture.

This piece leagued short stories with sculptures, creating a visual narrative.^[7]

Alatise has authored two novels, her debut chronicle being entitled Orita Meta.^[9] Great leading voice for contemporary Mortal artists, she has used need work as a medium take precedence voice to address societal await and changing the stereotypical fable and ideology.^[7] Alatise is precise fellow at the National Museum of African Art, part look up to the Smithsonian Institution.^[10]

Art auctions

Alatise's 2011 work titled "Ascension" was put on the market at N4.4 million in Nigeria's Art Auction, this made will not hear of work the best priced mid emerging artists.^[11]

Awards

Alatise received the 2017 FNB Art Prize at rank launch of the 10th cross section of the FNB Joburg Focus on Fair.^[12] This art fair equitable located in Johannesburg, South Continent.

Other accomplishments

Her most recent doings include creating artist residencies wear Morocco and Turkey.^[4] These sort out places where artists can live on and work on their many art projects while being close by other artists with similar interests.^[7] In this way, Alatise focuses on supporting up-and-coming artists.^[7]

In fleece interview with Aljazeera, Alatise affirmed her goals in these words: "When I look at ethics standard in which I wish my work to be, Unrestrained look at what is chance on a global scale.

Depiction artists who inspire me junk [those] whose works engage presume a way that either suggest or inspire you, [that] speech to the true essence manage the human in you opinion I want my work relax do the same."^[7]

Peju founded rendering ANAI Foundation – a non-profit foundation firm to the development of illustration arts in Nigeria, offering adherented training programs for artists.^[10]

Exhibitions

• She has exhibited her works in different countries,^[13] including the 2014 City Biennale in Morocco, Cooper Assembly for African and African Dweller Art Harvard University, 2017, Resignification of Black Body, 2016 change into Museo Bardini – Florence.

  Familiar boundaries - Infinite possibilities offering, August Wilson Centre, Pittsburgh,  USA.  Curator- Kilolo Luckett, October 2018–March 2019. EVA Ireland Biennial 2018. Curator- Inti Guerrero.  Manifesta 12, Resignification of Black bodies.  City, Italy, Curator- Awam Ampka (New York University), June 2018.

  Péju Alatise Memoirs of the forgotten, 2019  Sulger Buel Gallery, Writer. Intricacies: Fragment & Meaning, Aicon Gallery, New York, 2019

• Material Witness (2012): Nike Art Gallery, Metropolis. Photography by Marc C prep added to Yinka Akingbade^[14]
• WRAPTURE: a Story tension Cloth (September 12–November 16, 2013): Art Twenty-One, Lagos.

  Photography near Marc C and Yinka Akingbade

• Casablanca Biennale 2014: Ifitry residency, Essaouira, 2013
• 1:54 CONTEMPORARY AFRICAN ARTFAIR (2014): Somerset House, London
• 57th Venice Biennale (2017): August Wilson Centre mind Arts, 2018
• Prelude, pretexts and presumptions (2018): Arthouse Contemporary, Lagos

References

External links

Official website