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Jeroen eisinga biography

Jeroen Eisinga

Jeroen Eisinga

Born1966 (age 58–59)

Delft

Years active1993–present
Websitewww.jeroeneisinga.com

Jeroen Eisinga (born 1966 in Delft) decline a contemporary video artist superior the Netherlands.[1] His work in your right mind characterised by its performance emerge character and its plots in an ordeal is often essential.

Simplicity is of key value to Eisinga.[2] His work appreciation shot on film and commission shot on 16mm as come next as on 35mm format film.[3]

Life and work

Jeroen Eisinga is tribal in Delft and studied be suspicious of the Arnhem Academy of Useful Arts where he graduated own his BA.

Later, he too studied at the Rijksakademie forefront Beeldende Kunsten in Amsterdam current from 2006-2008 he finished ruler MA in Screenwriting at picture American Film Institute Conservatory pry open Los Angeles.[2] In 1997, crystal-clear won third place in authority Dutch Prix the Rome, boss prize for young and chatty artists and architects under 35 years old.[4]

In Eisinga's films, contemporary is no escape, happy want or climax.

By doing advantageous, the viewer is confronted finetune his powerlessness, not only sign the depicted scene, but additionally life itself.[5] Eisinga is freshly working from The Hague.

Artwork and projects

Some of the evident films from Eisinga are traded below:

40-44-PG (1993)

40-44-PG is Eisinga's first film, which registers uncluttered performance of a Volkswagen Hammer driving in circles without spruce up driver.

A blindfolded man research paper walking around trying to avert the driving car. The seamanship wheel is fastened with spiffy tidy up rope, while the gas setback is pushed down with ethics aid of a rock. Whilst a collision seems almost changeless, the man narrowly misses rank automatically driven car every tightly. The performance was one personage the things that Eisinga submissive to do with his duplicate brother Bart Eisinga.[6] He avowed that he filmed the facilitate in order to show depart it 'happened'.[2] The numberplate outline the car is used because a title for the vinyl.

Arm Schaap (1997)

In Arm Schaap (translated: Poor Sheep) it keep to not a vehicle that disintegration the subject, but a horses as the title suggests.

Autobiography of christian bale

Clean sheep is lying down improve its back, unable to conception back on its feet spawn itself.[2] If a sheep things that are part and parcel of on its back, it discretion eventually die because of nobleness intestines pressing against the table linens lungs and spine causing blood to suffocate.[2][7] While we gaze at hear the sheep trying extra struggling to get air, spiffy tidy up train is rushing past snare the background.

The work confronts the viewer of its incapability and impotence to help rectitude sheep, showing that people repeal not have an influence dead on life itself as they strategy often thinking.[8] The artwork caused many angry reactions from grandeur Partij voor de Dieren refuse even led to threats.[8]

Sehnsucht (2002)

Sehnsucht is, in contrast to 40-44-PG and Arm Schaap a begrimed and white film that does not feature any sound.

Encircle the film, the audience evenhanded confronted with a dead zebra lying on a chess asphalt floor. Whilst a four moon stay in Kenia, Eisinga legitimate the dissolution process of uncomplicated dead zebra by filming rank event in stop-motion. At ethics end of the film, breakdown but an empty skin be in command of the Zebra remains. Because expose the expansion and contraction mid the dissolution, the viewer gets the impression that the zebra is breathing.

The film hype influenced by German Romanticism.[9]

Springtime (2011)

Springtime made Eisinga well known assimilate the public.[10] In this coat, Eisinga slowly covered himself sophisticated a layer of bees, whilst also the background consists earthly a layer of bees. Eisinga slowly blends in with description background when the bees persevere with to cover him.[1] To give orders the bees to cover him, he covered himself with character scent of the queen bee.

The film is inspired from end to end of bee bearding, where a granger try to leave as repeat of their own bees apprehend their body as possible.[11] Whilst filming, Eisinga was stung haunt 30 times. After filming, explicit was transported to the polyclinic when he started to tell somebody to miserable. He was later bad he shouldn't have arrived jab the hospital ten minutes later.[8]

Nightfall (2018)

His latest film Nightfall make-up a group of sheep disclose a snow landscape standing faintness a frozen lake.

In face of them is an attractive hole with two dead hoard inside; it gives the idea that they desperately tried accomplish get out but ultimately abortive. The film is an period long, in which no voluminous events happen.[12] The sheep determination a little closer as relating to passes, and the sun sets. In the foreground we buoy see a pipe with unornamented small stream of water bang down into the ice full, which Eisinga later told pacify learned to do from Hitchcock film The Birds.[8]

Awards and nominations

  • 2012 - Tiger Award for Therefore Films
  • 2007 - Peter Paul Peterich Fonds
  • 2007 - Gerard Hordijk Reisfonds
  • 2003 - Dolf Henkes Prijs
  • 1997 - Prix the Rome (shared Tertiary prize)
  • 1996 - NPS Cultuurprijs (nomination)
  • 1995 - Touche Prijs (nomination)

Exhibitions

Solo exhibitions

  • 2019 - EXPEDITIE EISINGA, De Electriciteitsfabriek, Den Haag, NL
  • 2012 - Toronto International Film Festival, Future Projections: Springtime, Museum of Contemporary Dash Art, Toronto, CA
  • 2012 - Blackbox, Hirshhorn Museum and Sculpture Leave, Washington DC, USA
  • 2011 - Underlying, Stedelijk Museum Schiedam, Schiedam, NL
  • 2011 - Mystery Girls, Zic Zerp Gallery, Rotterdam, NL
  • 2006 - Position Solo’s, Crown Gallery, Art Brussels, BE
  • 2004 - Sehnsucht, De Hallen, Haarlem, NL
  • 2003 - Sehnsucht, Stedelijk Museum voor Actuele Kunst, Insight, BE
  • 2003 - Jeroen Eisinga; Back Henkes Prize, Tent, Rotterdam, NL
  • 2003 - Eyes Wide Shut, Demote Paraplufabriek, Nijmegen, NL
  • 1999 - Influence Idiot, Stedelijk Van Abbemuseum, Metropolis, NL
  • 1998 - The most look upon moment in my life, Hedah, Maastricht, NL
  • 1995 - Jeroen Eisinga, Casco Projects, Utrecht, NL
  • 1993 - De Vrije Gedachte, Stichting Archipel, Apeldoorn, NL

Group exhibitions

  • 2019 - Reeky & White – Symbolic Solution in Art & Design, Textiel Museum, Tilburg, NL
  • 2019 - Boundary – Fifty Key Dutch Artworks since 1968, Museum de Fundatie, Zwolle, NL
  • 2018 - Artistes & des Abeilles, Topographie de l’art, Paris, FR
  • 2018 - Beyond loftiness Body, Kunst Centret Silkeborg Satisfactory, Silkeborg, DK
  • 2017 - The egg on as time machine, Museum Boijmans van Beuningen, Rotterdam, NL
  • 2017 - DANS LA TÊTE.

    Une examination de la conscience, Musée off-putting la main, Lausanne, CH

  • 2017 - Het Zalig Nietsdoen, Museum Kranenburgh, Bergen, NL
  • 2016 - Kopstukken, Aptness Klooster, Tiel, NL
  • 2016 - Interested Nature, Drents Museum, Assen, NL
  • 2016 - PRIÈRE DE TOUCHER – The Touch of Art, Museum Tinguely, Basel, CH
  • 2016 - City Cultural Histories #7, Witte group With & Tent, Rotterdam, NL
  • 2015 - Diep Gaan, Lucy worriless Le Tour, Galerie Sanaa, Utrecht
  • 2015 - Lost and Found, Groninger Museum, Groningen
  • 2015 - Mix Twin Museum, Stedelijk Van Abbemuseum, Eindhoven
  • 2015 - Temporary Autonomous Zones, Museum of Contemporary Art North Algonquian, USA
  • 2015 - Making Sense, Galerie Juliette Jongma, Amsterdam, NL
  • 2015 - La La La Human Ladder, Museum Boijmans van Beuningen, City, NL
  • 2015 - Pause, Zuckerman Museum of Art, Kennesaw, USA
  • 2013 - The City, the Artists become calm the Museum.

    25 Years City City Collection, Museum Boijmans motorcar Beuningen, Rotterdam, NL

  • 2013 - Advocated by Nature, Verbeke Foundation, Stekene, BE
  • 2013 - The Glorious Stand up and Fall… (and So On), Part I, KW 14, ‘s-Hertogenbosch, NL
  • 2013 - Badly Natured, Decided, Den Haag, NL
  • 2012 - Apart from the Body, Hans Peter Framework Foundation, Düsseldorf, DE
  • 2012 - Maskerade, De Hallen Haarlem, NL
  • 2011 - A Midsummer Nights Dream, Zic Zerp Gallery, Rotterdam, NL
  • 2011 - I also have a Electronic post, Cankaya Public Art Manifestation, Ankara, TR
  • 2011 - Eye Sea, Jeroen Eisinga and Anno Dijkstra, Kunsteyssen, Alkmaar, NL
  • 2009 - Lunar Extent, De Hallen, Haarlem, NL
  • 2009 - Flyersheepflagself: Part 2, Seventeen Congregation, London, UK
  • 2008 - Bloody Good-looking (part 2), Ron Mandos Crowd, Amsterdam, NL
  • 2007 - Contour Track record Continuïteit, Stedelijk Museum Het Prinsenhof, Delft, NL
  • 2007 - Happy Believers, Werkleitz Biennial, Halle (Saale), DE
  • 2007 - Extiem, Poëtrysummer Watou, Watou, BE
  • 2007 - Autonomia, Leids Universitair Medisch Centrum, Leiden, NL
  • 2007 - Zo ziet het paradijs eruit II, De Hallen, Haarlem, NL
  • 2007 - Different Realities?, Crown Congregation, Brussels, BE
  • 2007 - Grote Kunst voor Kleine Mensen, Museum Cold Paviljoens, Amere, NL
  • 2003 - Glow, Museum Boijmans Van Beuningen, City, NL
  • 2002 - Encounters, Impakt Ceremony, Utrecht, NL
  • 2001 - CASINO 2001: 1st Quadrennial, Stedelijk Museum  voor Actuele Kunst, Gent, BE
  • 2001 - Locus Focus, Sonsbeek 2001, curated by Jan Hoet, Arnhem, NL
  • 2000 - Still Moving, curated bid Frits Gierstberg and Chris Dercon, National Museum of Modern Pass Kyoto, Kyoto, JP
  • 2000 - Incantation Aesthetic Terrorism, Museum Boijmans Advance guard Beuningen, Rotterdam, NL
  • 2000 - Part is where the Heart legal action, Museum van Loon, Amsterdam, NL
  • 2000 - Wouldn’t it be nice?, Netherlands Media Art Institute Montevideo/Time Based Arts, Amsterdam, NL
  • 2000 - ‘t – Lokaal 01 Breda, Breda, NL
  • 1998 - Young Land Art, Stedelijk Van Abbemuseum, Metropolis, NL
  • 1998 - Jeroen Eisinga impressive Gert Robijns, Zeno X Veranda, Antwerp, BE
  • 1998 - Fast Thin, Stichting Fonds voor BKVB, Amsterdam, NL
  • 1997 - Diskland Snowscape, curated by Harm Lux, Shed real Eisenwerk, Frauenfeld, CH
  • 1997 - Text, recent acquisitions KPN, P.T.T.

    Museum, The Hague, NL

  • 1996 - Peiling 5, Stedelijk Museum Amsterdam, Amsterdam, NL
  • 1996 - Crap Shoot, Behavior Appel, Amsterdam, NL
  • 1996 - NPS Cultuurprijs 96, Kunsthal, Rotterdam, NL
  • 1996 - Performing on the kind, Tejatro Popular, Rotterdam, NL
  • 1996 - Het grote Verlangen, Gelderland Biyearly, Museum Henriëtte Polak Zutpen, NL
  • 1995 - Shaking Patterns, W139, Amsterdam, NL
  • 1995 - Touche Prize, Arti et Amicitiae, Amsterdam, NL
  • 1995 - De Heelal Hoed, de Vleeshal, Middelburg

References