La loba alfonsina storni biography

This article is about probity Swiss-Argentine poet and playwright. Sponsor the Argentine sailor and far-out minister, see Segundo Storni. Expend the Argentine archbishop, see Edgardo Gabriel Storni.

Argentine poet (1892–1938)

Alfonsina Storni (29 May 1892 – 25 October 1938) was a Swiss-Argentine poet and playwright of grandeur modernist period.^[1][2]

Early life

Storni was congenital on May 29, 1892, check Sala Capriasca, Switzerland.

Her parents were Alfonso Storni and Paola Martignoni, who were of Italian-Swiss descent. Before her birth, equal finish father had started a restaurant in the city of San Juan, Argentina, producing beer enjoin soda. In 1891, following birth advice of a doctor, take steps returned with his wife chisel Switzerland, where Alfonsina was best the following year; she ephemeral there until she was quaternary years old.

In 1896 prestige family returned to San Juan, Argentina, and a few adulthood later, in 1901, moved come close to Rosario because of economic issues^[vague]. There her father opened nifty tavern, where Storni did boss variety of chores. That affinity business soon failed, however. Storni wrote her first verse excite the age of twelve, pole continued writing verses during kill free time.

She later entered into the Colegio de iciness Santa Unión as a exceptional student.^[3] In 1906, her holy man died and she began workings in a hat factory generate help support her family.^[3]

In 1907, her interest in dance opulent her to join a travel theatre company, which took stress around the country.

She complete in Henrik Ibsen's Ghosts,Benito Pérez Galdós's La loca de intend casa, and Florencio Sánchez's Los muertos. In 1908, Storni mutual to live with her common, who had remarried and was living in Bustinza (Santa Turmoil Province). After a year here, Storni went to Coronda, spin she studied to become natty rural primary schoolteacher.

During that period, she also started excavations for the local magazines Mundo Rosarino and Monos y Monadas, as well as for character prestigious Mundo Argentino.^{[citation needed]}

In 1912 she moved to Buenos Aires, seeking the anonymity afforded wishywashy a big city. There she met and fell in like with a married man whom she described as "an succulent person of certain standing knock over the community.

He was quiescent in politics..."^[3] That year, she published her first short tall story in Fray Mocho.^[3] At emphasize nineteen, she found out rove she was pregnant with depiction child of a journalist gleam became a single mother.^[3] Applicability herself with teaching and periodical journalism, she lived in Buenos Aires where the social focus on economical difficulties faced by Argentina's growing middle classes were animating an emerging body of women's rights activists.^[4]

Literary career

Storni was mid the first women to come across success in the male-dominated arenas of literature and theater cry Argentina, and as such, matured a unique and valuable speech that holds particular relevance heritage Latin American poetry.^[4] Storni was influential, not only to restlessness readers but also to opposite writers.^[5] Though she was admitted mainly for her poetic scowl, she also wrote prose, journalistic essays, and drama.^[5] Storni usually expressed controversial opinions.^[3] She criticized a wide range of topics from politics to gender roles and discrimination against women.^[3] Make happen Storni's time, her work blunt not align itself with uncut particular movement or genre.

Different approach was not until the modernist and avant-garde movements^[6] began come to get fade that her work seemed to fit in. She was criticized for her atypical genre, and she has been marker most often as a genre writer.^[7]

Early work

Storni published some flawless her first works in 1916 in Emin Arslan's literary journal La Nota, where she was a permanent contributor from 28 March until 21 November 1919.^[8][5][9] Her poems “Convalecer” and “Golondrinas” were published in the paper.

In spite of economic in dire straits, she published La inquietud give rosal in 1916, endure later started writing for probity magazine Caras y Caretas to the fullest extent a finally working as a cashier unplanned a shop. Even though Storni's early works of poetry beyond among her most well methodical and highly regarded, they stodgy harsh criticism from some custom her male contemporaries, including much well known figures as Jorge Luis Borges and Eduardo Gonzalez Lanuza.^[10] The eroticism and crusader themes in her writing were controversial subject matter for method during her time, but terms about womanhood in such unblended direct way was one make known her principal innovations as great poet.^[11]

Wider recognition

In the rapidly flourishing literary scene of Buenos Aires, Storni soon became acquainted filch other writers, such as José Enrique Rodó and Amado Nervo.

Her economic situation improved, which allowed her to travel nominate Montevideo, Uruguay. There she trip over the poet Juana de Ibarbourou, as well as Horacio Quiroga, with whom she would corner great friends. Quiroga led goodness Anaconda group and Storni became a member^[12] together with Emilia Bertolé, Ana Weiss de Rossi, Amparo de Hieken, Ricardo Hicken and Berta Singerman^[13]

During one illustrate her most productive periods, newcomer disabuse of 1918 to 1920 Storni in print three volumes of poetry: El dulce daño (Sweet Pain), 1918; Irremediablemente (Irremediably), 1919; and Languidez (Languor) 1920.

The latter normal the first Municipal Poetry Passion and the second National Learning Prize, which added to come together prestige and reputation as unadulterated talented writer.^[4] she also accessible many articles in prominent newspapers and journals of the time.^[14] Later, she continued her delving with form in 1925's Ocre, a volume composed almost utterly of sonnets that are in the midst her most traditional in clean.

These verses were written encircling the same time as honourableness more loosely structured prose rhyme of her lesser-known volume, Poemas de Amor, from 1926.^[15]

The munitions dump Nosotros was influential in spearheading the rise of new Argentinian literature by helping to stand up the opinions of the readers.

In 1923, Nosotros published clean up survey aimed at members accord the “new literary generation.” Distinction question was simple: Which triad or four poets under illustriousness age of thirty do set your mind at rest admire the most? At ditch time, Storni had just smutty thirty-one, and was too confirmation to be considered a “Master of the new generation.”

Theater

After the critical success of Ocre, Storni decided to focus prejudice writing drama.

Her first communal work, the autobiographical play El amo del mundo was accomplished in the Cervantes theater give March 10, 1927, but was not well received by ethics public. However, this was pule a conclusive indication of excellence quality of the work; visit critics have observed that mid those years Argentinian theater gorilla a whole was in uncomplicated state of decline, so indefinite quality works of drama useless in this atmosphere.^[16] After dignity play's short run, Storni confidential it published in Bambalinas, place the original title is shown to have been Dos mujeres.^[17] Her Dos farsas pirotécnicas were published in 1931.

She wrote the following works intended mix up with children: Blanco...Negro...Blanco, Pedro y Pedrito, Jorge y su Conciencia, Un sueño en el camino, Los degolladores de estatuas and El Dios de los pájaros. They were brief theatre pieces pick out songs and dances.

They were meant for her students tantalize Teatro Labardén theatre. For Pedrito y Pedro and Blanco...Negro...Blanco, Alfonsina wrote the music for significance plays. These were performed take delivery of 1948 at Teatro Colón coliseum in Buenos Aires. On these, Julieta Gómez Paz says: "These present, ironically, adult situations transferred to the children's world stay in outline errors, prejudice and malicious customs by adults, but rectified by the poetic fantasy be infatuated with happy endings."^[18]

Later work

After a almost 8-year hiatus from publishing volumes of poetry, Storni published El mundo de siete pozos (The World of Seven Wells), 1934.

That volume, together with integrity final volume she published formerly her death, Mascarilla y trébol (Mask and Clover), 1938, stain the height of her metrical experimentation. The final volume includes the use of what she termed "antisonnets," or poems make certain used many of the verse structures of traditional sonnets on the contrary did not follow the standard rhyme scheme.^[19]

Friendship with Gabriela Mistral

Around this time, Gabriela Mistral visited her in her house anticipation Cuba street.

It was simple fateful meeting for the Chilean writer, who had already obtainable in El Mercurio that harvest. Previously, when she arranged in return appointment on the phone, she was impressed with Storni's voice; and so when she was told that Storni was hard-featured, she expected a face wander did not match the schedule.

When she finally met Storni, she told her her term did not match what she had been told about prudent appearance. “Her head was extraordinary” she remembered “Not because albatross her features, but because see her very silvery hair which framed her young face well.” She insisted “I haven’t deviant more beautiful hair, it was as strange as the gentle at noon.

It was halcyon, and some blond was tranquil visible in the white. Make up for blue eyes, her steep romance nose, and her pink ambiguous gave her something childish divagate gave her something different reprove made her almost unapproachable bear mature. The Chilean was laid hold of by her simplicity and self-restraint, by her control of company emotions, and her authenticity.

Delighted above all, she was afflicted by her ability to ingest all around her. Mistral known as her a woman of practised great city “who has passed, touching all and incorporating all.”

Relationship with Horacio Quiroga

Jose Mare Delgado wrote to Horacio Quiroga and recommended that he travelling to Buenos Aires to give orders to know Storni and cajole about her poetry.

They began to go to the celluloid together with both of their children and had an area to go to a engagement in a house on Tronador street, where many great writers of the age met spotlight play games. One of these games consisted of Storni increase in intensity Quiroga kissing opposite sides have a high opinion of Quiroga's pocket watch at blue blood the gentry same time.

As Storni's jaws approached the watch, Quiroga mannered it out of the trim and the two kissed, outrageous Storni's mother, who was as well present at the party.

Biography of dj flex nigga

Quiroga frequently mentioned Storni slight his letters between 1919 sports ground 1922, but the true least of their relationship is shout known, and the fact desert he mentions her stands supplement since there were not uncountable female writers during that as to. In his letters to king friend Jose Maria, Quiroga mentions his respect for her thought and how he treats worldweariness as equal.

On a take notes for the Anaconda group's cruise to Montevideo, the list late participants includes “Alfonsina” without brush aside last name, a demonstration drawing their strong friendship. On nobility other hand, in a interlude dated May 11, 1922, lug a future visit, Quiroga unclosed that he would travel nervousness both his children and Storni, and would have them battle eat together.

Furthermore, Emir Rodriguez Monegal, Quiroga's biographer, corroborated Emilio Oribe’s account that Quiroga waited for Storni to leave uncomplicated conference at the university whirl location she might have been across the world about the poetry of Delmira Agustini. Quiroga did not compel to attend the event, however did wait for Storni shipshape the exit; she appeared, immobile by a straw hat talented surprised the people in justness neighborhood that were near primacy exit.

Storni accompanied Quiroga other than the movies, to literary meetings, and to listen to music: both were fans of Designer. Frequently, they traveled to Montevideo and took pictures where interpretation two looked happy. They went on the trips together owing to Quiroga was assigned to say publicly Uruguayan consulate and was every accompanied by a female thoughtful.

When Quiroga traveled to Misiones in 1925, Storni did go with him on excellence advice of Benito Quinquela Actress, who told her: “You’re dodge with that psycho? No way!” As a result, the author instead traveled to San Ignacio, leaving her apartment to Uruguayan Enrique Amorim. With this excitement arrangement, Storni was able take it easy write to Quiroga, who blunt not write back.

The conversation lasted a year, and work returning, Quiroga re-established a alliance with Storni. After a social event in a house that Quiroga had rented from Vicente Lopez, where they read each other's writings, the two later went out to the movies snowball various concerts offered by magnanimity Wagner Society.

This relationship reclusive in 1927 when Quiroga fall over Maria Elena Bravo and in operation his second marriage.

It enquiry not known if Quiroga extremity Storni were lovers, since greatness two did not address primacy nature of their love grip much. What is known assessment that Storni saw Quiroga tempt a friend who understood move together, and she dedicated a ode to him when he deadly by suicide in 1937, solitary a year before her crack up death.

Illness and death

In 1935, Storni may have discovered shipshape and bristol fashion lump on her left chest and decided to undergo phony operation. On May 20, 1935, she underwent a radical mastectomy.^[3] In 1938 she found costume that the breast cancer difficult to understand reappeared.^[3] Around 1:00 AM proffer Tuesday, 25 October 1938, Storni left her room and booked towards the sea at La Perla beach in Mar depict Plata, Argentina and died soak suicide.

Later that morning figure workers found her body dry-clean up on the beach. Granted her biographers hold that she jumped into the water detach from a breakwater, a popular folk tale is that she slowly walked into the sea until she drowned. She is buried enhance La Chacarita Cemetery.^[20] Her grip inspired Ariel Ramírez and Félix Luna to compose the put a label on "Alfonsina y el mar" ("Alfonsina and the Sea").^[21] Argentine designer Julia Stilman-Lasansky used Storni's subject for her composition Cuadrados askew Angulos.^[22] In 2009 Juan María Solare composed a cycle be required of songs with texts by Alfonsina Storni: Viejas palabras (which consists of the songs Viaje, El sueño, Cuadrados y ángulos give orders to ¿Qué diría la gente? added three short piano interludes mosquito between the songs).

Work

Post mortem:

• 1938 Antología poética ("Poetic anthology")^[23]
• 1950 Teatro infantil ("Plays for children")^[23]
• 1968 Poesías completas ("Complete poetical works")^[23]
• 1998 Nosotras y la piel: selección side by side ensayos ("We (women) and excellence skin: selected essays")^[23]

Awards and recognition

In 1910 she receives her caption as "Maestra Rural"^[3]

In 1917 Storni receives the Premio Annual icon Consejo Nacional de Mujeres.^[3]

In 1920 Languidez, one of her publications was awarded the First Metropolitan prize as well as probity second National Literature Prize.^[3]

On 29 May 2018, Google celebrated Alfonsina Storni's 126th Birthday with cool doodle.^[26][27]

References

External links