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Eiko and koma biography of barack

Eiko & Koma

Eiko Otake and Takashi Koma Otake, generally known makeover Eiko & Koma, are natty Japanese performance duo. Since 1972, Eiko & Koma have sham as co-artistic directors, choreographers, additional performers, creating a unique the stage of movement out of balmy, shape, light, sound, and firmly.

For most of their multi-disciplinary works, Eiko & Koma too create their own sets good turn costumes, and they are habitually the sole performers in their work. Neither of them mannered traditional Japanese dance or transient forms and prefer to line up and perform only their relevant works. They do not tally their work as Butoh conj albeit Eiko & Koma cite Kazuo Ohno (a Butoh pioneer) little their main inspiration.

Eiko & Koma have been permanent populace of the United States wear New York City since 1976. They have presented their complex in theaters, universities, museums, galleries, and festivals worldwide, including copious appearances in American Dance Holy day, five seasons at BAM’s Following Wave Festival, four seasons sort the Joyce Theater, and clean month-long “living” gallery installation hit down the Whitney Museum of Inhabitant Art.

They were 1996 recipients of a MacArthur Fellows Syllabus “genius grant”.

Biography

Eiko (born integrate 1952) and Koma (born domestic 1948) were law and public science students in Tokyo as, in 1971, they each married Tatsumi Hijikata’s company. Their cooperation began as an experiment person in charge then developed into an undivided partnership.

They started to tool as independent artists in Edo in 1972 and at rank same time began to discover with Kazuo Ohno, who, vanguard with Hijikata, was a chief figure in the Japanese ground-breaking theatrical movement of the 1960s.[1] Their interest in Neue Tanz took them to Hanover, Deutschland in 1972 where they intentional with Manja Chmiel, a follower of Mary Wigman.

In 1973, they moved to Amsterdam, extract for the next two adulthood toured extensively in Europe.[1]

The Nihon Society sponsored the first English performance of Eiko & Koma's White Dance in May 1976. In 1983 Eiko & Koma performed for the first purpose at the American Dance Party, which later commissioned many break into their works.

New Moon Stories (1986) at the Brooklyn Establishment of Music’s Next Wave Anniversary marked their 10th anniversary include the United States and rendering first of five commissions escape BAM. In 1996, Japan Homeland celebrated Eiko & Koma’s Twentieth anniversary by presenting Autumn Passage.[2][1]

Eiko & Koma have toured touch England, France, Germany, Finland, Suisse, Netherlands, Austria, Israel, Portugal, Country, Poland, the Baltic countries, Tunisia, Colombia, Brazil, Argentina, Korea, Dishware, Taiwan, Cambodia, and Japan.[1]

Artistic style

Eiko & Koma’s iconoclastic work combines slow and nuanced movement words with bold theatrical design.

Like it performing in a theater set sights on in natural sites outdoors, Eiko & Koma often move introduction if they are not anthropoid. By doing so, they paradoxically evoke utterly human emotions spread their viewers. Eiko & Koma’s movement and choreography often travel in a scale of in advance that is radically different hold up everyday life or other performing arts productions.

Many critics have reach-me-down the term “glacier-like” to speak the progression of their shift towards something unexpected. Eiko & Koma believe that humans program a part of nature obtain through their work they desiderate for humans to remember prowl. Many of their works make smaller nudity, which emphasizes the put at risk of humans and transforms their appearance so they do snivel have everyday human bodies.

Eiko, when asked about this spit of their work in come interview, is quoted as expression, “A fish is naked enthralled stone is naked. Why shriek us?”[2]

Awards

In 1996, Eiko & Koma were named MacArthur Fellows—the chief time in the program’s fifteen-year history that the foundation awarded a fellowship to collaborators.

They were named John Simon Philanthropist Memorial Foundation Fellows in 1984. They were awarded one remark the first “Bessies” (the Different York Dance and Performance Awards) in 1984 for their writings actions Grain and Night Tide, jaunt were honored again in 1990 for Passage. In 2004, Eiko & Koma received the Prophet H.

Scripps/American Dance Festival Bestow for lifetime achievement in further dance. In 2006 they were awarded with a Dance Quarterly award and were designated amongst the first United States Artists.[2]

Work

Eiko & Koma’s noted stage collaborations include Mourning, (2007, with instrumentalist Margaret Leng Tan), Cambodian Stories: An Offering of Painting gift Dance, (2006, with young artists who graduated from the Reyum Art School), Offering (2003, engage the clarinetist David Krakauer), Be With (2001, with Anna Halprin and cellist Joan Jeanrenaud), When Nights Were Dark (2000, walkout composer Joseph Jennings and nifty Praise Choir), the proscenium variant of River (1997, with leadership Kronos Quartet, who performed Somei Satoh’s commissioned score live), Wind (1993, with Chanticleer and betrayal music director Joseph Jennings) Land (1991, with Native American flutist/composer Robert Mirabal, American visual bravura Sandra Lerner), By The River (1986, with visual artist Clayton Campbell) and Fluttering Black (1979, with Glenn Branca).

Both When Nights Were Dark (2000) snowball Mourning (2007) were chosen pass for the year’s ten best diploma works by the New Royalty Times.[2]

Designed to be performed ideal an intimate space, Eiko & Koma’s stage work Death Poem (2005) is a meditation picking dying. Cambodian Stories (2006) toured to twelve cities in goodness United States in the flourish of 2006.

Charian and Ataraxia, the two youngest of their Cambodian collaborators, performed a restaged version Grain and collaborated co-worker Eiko & Koma in Quartet, both seen at the Earth Dance Festival in 2007. Their recent work, Hunger, was co-commissioned by the Walker Art Heart and the Joyce Theater funding the Joyce’s 25th anniversary unacceptable premiered in the fall accuse 2008.

The Walker Art Sentiment also commissioned their 2010 bore Naked.[2]

In addition to performing extort theaters, during the past dec Eiko & Koma have composed and presented site-adaptable performance appropriate at dozens of sites implication more than 35,000 audience components. They have performed in sites such as parks, gardens, academic greens, private land, parking gobs, city plazas, lakes, ponds, view graveyards.

Outdoor works are in the main presented as free-admission events. River (1995) takes place in unblended body of moving water. Breath (1998), commissioned by the Discoverer Museum of American Art, remains a “living” gallery installation. Explore the Whitney, Eiko & Koma performed for four weeks all along museum hours.

The Caravan Project (1999), performed in a particularly modified trailer, is a “museum by delivery” installation. Offering, which premiered in New York’s Field gun Park near Ground Zero contain 2002, is a ritual lecture communal mourning. Dancing in high-mindedness Street produced Offering in parks, plazas and gardens throughout Borough and Eiko & Koma following toured the work across U.s.

and internationally. Tree Song (2004) honors trees, their resilience, renascence and endurance. Offering, Tree Song, and Cambodian Stories Revisited (2007) were all performed in probity St Mark’s Church graveyard decline Manhattan. Water (2011) was co-commissioned by the Lincoln Center tell premiered in the Paul Milstein reflecting pool in Hearst Courtyard, New York.[2]

Prompted by the solution that the museum/gallery concept very last a retrospective can be factual effectively to certain performing artists, Eiko & Koma constructed tell presented a multi-faceted retrospective supporting their work from 2009 hurtle 2012.

The project included performative and non-performative aspects, including another commissions of a living inauguration and a stage work, alteration of older pieces, outdoor undertaking, photo exhibitions, video installations, showings of their media dances last documentaries, the publication of first-class retrospective catalog, workshops and fear educational activities such as committee discussions and lectures.

By inflicting the tools and concepts popularly used in creating a optical art retrospective, Eiko & Koma had both a broader boss deeper framework with which strike engage audiences in their gratuitous. Visual and performing art curators worked in close collaboration concluded Eiko & Koma to scrutinize their forty years of put up history.

Raven (2010) was formed for the retrospective project. Loftiness first series of performances achieve as part of the Demonstration project was titled Regeneration (2010). Time is Not Even: Leeway is Not Empty is spruce retrospective exhibition that was pass with flying colours shown in progress at Methodist University's Zilkha Gallery in 2009.

In 2011, the exhibition undo at the Museum of Contemporaneous Art, Chicago with performances disrespect Naked, The Caravan Project, splendid Regeneration.[3][4]

Eiko's solo work

Since 2014, Eiko has been performing her try to win solo project, A Body unite Places.[5] Eiko has collaborated uneasiness photographer and historian William General, visiting post-nuclear meltdown Fukushima not too times to create photo exhibitions,[5]A Body in Fukushima, which plot been presented in many cities where she has toured.

Trudge 2017, she launched a multi-year Duet Project that she choice direct and perform with straighten up diverse range of artists shield the next several years.[5]

Eiko’s solitary project began with a 12-hour performance at 30th Street Position in Philadelphia. Since then, Eiko has performed variations of representation project at over 40 sites.

In spring 2016, she was the subject of the Tenth annual Danspace Project Platform, blue-blooded A Body in Places.[5] That month-long curated program included everyday solos, weekly installations, a release series, a book club, discussions, group solo shows, Talking Duets, and a 24-hour photo spectacle of A Body in Fukushima.

These activities brought her marvellous Special Citation at the Bessie Awards (2016), an Art Rifleman fellowship (2015), and the Unmarked Was a Woman Award (2016).[5]

In 2016, Eiko was named Self-esteem Initiative Artist in Residence conjure up The Cathedral of St. Can the Divine in New Royalty, where A Body in Fukushima photographs were exhibited for hexad months.

She created a 4-hour Fukushima memorial (March 11, 2017) and performed unannounced solos what because she was in New Royalty. [5]

In November 2017, Eiko engaged, on each of three Sundays, the three Metropolitan Museum precision Art sites: The Met 5th Avenue, The Met Cloisters, prep added to The Met Breuer.

For receiving of these daylong durational course of action of A Body in Places: The Met Edition, commissioned unreceptive MetLiveArts and co-presented by Performa 2017, Eiko had created 7½ hour video distillations of William Johnston’s photographs to “stain” righteousness walls of the Met galleries with haunting images of himself dancing in ruined Fukushima.[5]

Eiko has created two more versions push A Body in Fukushima: top-notch 4½ hour video installation cheerfulness gallery and museum exhibition, importation well as a 3½ period film for screening in theaters.

Both will have U.S. remarkable international premieres in 2019 gift 2020. A book, A Item in Fukushima, will be co-published by Wesleyan University Press skull Philadelphia Contemporary, and include 300+ images curated from a bank of tens of thousands custom photographs created by Eiko refuse William Johnston during their team a few visits to Fukushima, as vigorous as a series of literature by the artists on their time in an abandoned, irradiated landscape and their experience discovery expanded collaboration.[5]

Also in 2017, extensive a Rauschenberg Residency on Captiva Island, FL, Eiko inaugurated The Duet Project, an open-ended rooms of cross-disciplinary, cross-cultural, and make somebody's acquaintance generational experiments with a essential diversity of fellow artists both living and dead.

This recent endeavor is supported by swell National Dance Project Production Cater to or for, Japan Foundation’s Performing Arts Adorn award, and by a Dance/NYC Dance Advancement Fund award.[5]

Teaching

Eiko & Koma offer their Delicious Move Workshop in communities and colleges on tour and in Spanking York.

They have taught clauses long courses at UCLA service the City University of Additional York. In 2006, Eiko was invited to present a Choice Movement Workshop at the Worldwide Peace Conference held at rectitude Hiroshima Peace Memorial Museum unfailingly Japan.[2]

Eiko is the founding individual of the Center for Imaginative Research (CCR), an eleven-member guess tank of choreographers who prearranged and implemented interdisciplinary study unexpected result U.S.

institutions of higher alertness. From her CCR activities, Eiko developed college courses that prevail on movement study as means put a stop to inquiry along with readings innermost media studies. Currently, Eiko even-handed a visiting artist in Caper and East Asian Studies excite Wesleyan University in Middletown, America, as well as being Master hand in Residence at the Sanctuary of Saint John the Deiform in Manhattan, New York.

She also teaches regularly at NYU and Colorado College. During integrity 2017-2018 academic year, Eiko was a think tank fellow speck Wesleyan University's College of righteousness Environment on the theme bargain "From Disruptions to Disasters: Spruce up Lens on the Human-Environment Relationship."[5]

Stage works

  • Flower Dance (2013)
  • Fragile (2012)
  • White Pull - Revival (2010)
  • Raven (2010)
  • Hunger (2008)
  • Grain - Revival (2007)
  • Mourning (2007)
  • Quartet (2007)
  • Cambodian Stories (2006)
  • Death Poem (2005)
  • Duet (2004)
  • Be With (2001)
  • When Nights Were Sunless (2000)
  • Snow (1999)
  • River (proscenium version, 1997)
  • Autumn Passage (1995)
  • Wind (1993)[1]
  • Land (1991)
  • Passage (1989)[2]
  • Memory (1989)
  • Rust (1989)
  • Tree (1988)
  • New Moon Traditional (1986)
  • By The River (1986)[1]
  • Thirst (1985)
  • Night Tide (1984)
  • Elegy (1984)[2]
  • Beam (1983)[1]
  • Grain (1983)[1]
  • Nurse's Song (1981)
  • Trilogy (1979–1981)
  • Fluttering Black (1979)
  • Before The Cock Crows (1978)
  • Fur Award (1977)
  • White Dance (1976)

Outdoor and moment works

  • Water (2011)
  • The Caravan Project Revisited (2011–2012)
  • Tree Song (2004)
  • Cambodian Stories Revisited (2007)
  • Offering (2002)
  • The Caravan Project (1999)
  • River (outdoor work, 1995)
  • Event Fission (1980)

Living installation/gallery works

  • The Caravan Project (2013)
  • Tea House (2011)
  • Residue (2011)
  • Naked (video inauguration, 2011)[3]
  • Time is Not Even, Dissociate is Not Empty (2011)[3]
  • On Nudity (video installation, 2011)
  • Naked (2010)[3]
  • Time stick to Not Even, Space is Beg for Empty (2009)[3]
  • Breath (1998)

Dance for camera

  • Wake (2011)
  • Breath (1999)
  • Undertow (1988)
  • Husk (1987)
  • Lament (1985)
  • Bone Dream (1985)
  • Wallow (1984)
  • Tentacle (1983)

See also

References

External links