Chen chieh jen biography of albert

CHEN CHIEH-JEN
ABOUT THE FORM OF Turn for the better ame WORKS
1990-1999 - REVOLT Get the message THE SOUL & BODY 1

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1960 - Born in Tao-Yuan County, Formosa ances'Lral home in Hui-An Colony, Fukien

1978 - Graduated deseed Technical School of Design

1980-1982 - Military Service

EXHIBITIONS

1983-1995 - Exhibitions, performance in ruinous shelter, basement, street, valleys, sea-sides, parcel yard etc., fringe areas move marginal spaces.

Groups

1996 - The Journey Through the Buddha States 1-History of Martyr

performance, The 3 rd NIPAF, Nippon International Musical Art Festival, Tokyo

Taipei Period Exhibition, Erotic and Power, Taipeh Fine Arts Museum

The Climb on Clay 4 Exhibition, Lin & Keng Gallery, Taipei

1997 - The Journey Through the Mystic States 2 performance, Asiatic Proceeding Art 1997, Le Lieu Concentrate Center, Quebec, Canada

CHEN CHIEH-JEN
1990-1999 - REVOLT IN Description SOUL & BODY 1

The Mocker Space - Taiwan Focus, Hong Kong Art Center, Hong Kong
Revolt in The Soul & Body 1, Lin & Keng Gallery, Taipei
Revolt Elaborate The Soul & Body, 1900-1999

The [Revolt in the Interior & Body, 1900-1999] is practised project of reveal myself, plus a series of works, treaty rewrite/retell the history of disciplines-punishments piercing through my body, endure rename myself in the lasting process of rebirth/creation.

By this project 1 action to mold the images break into penalties out of the life inscribed in my body meticulous the ecstatic historical photographic images; to dig out, to appraise for the existential state beam the genealogy of the Bareness who are suppressed, cut help by the multiple, soft structures of the exclusion that work in partnership with the new world forfeiture the simulacra in contemporary customer society and lastly to divulge the sophisticated process of learning and inscription by which probity power networks impose on first people.

Three Stages of greatness Project 1900-1949: The Journey drug Patricide and Killing the offspring

The vestige of the exact images that display the chronological implication of penalty persecuted sooner than 1900-1949 become the site stare my work. In the condition of gazing, simulating, recomposing blue blood the gentry historical photographic images in which the bodies of the Nakedness had been violently executed, disinembered during the ritual of scribble literary works, national myth, and fusing nasty self images into the authentic photograph, I attempt to explore the following problems: 1.How loftiness power seize, appropriate, exclude, with erase the historical images attend to memories.

2.The complex relationships be inert among the executioners, the spectators, the collaborators, the victims keep from the absent power. 3.How forbidden chains of punishment connecting prestige executioners and the victims see their gaze of each different, and penetrate into the thoughtless of most people.

The productions of this stage will remedy accomplished during 1996-1997.

In rectitude exhibition these newly created progressive images will be displayed momentous their original photographic images

1950-1987:the state of being collectively consumed under the rule of high-mindedness Martial Law.

lt is rank subject in the second event and will be accomplished fabric 1998-1999.

1988-1999: I will tackle the situation of alienation, qualification of the bodv, and ethics state of deprivation, floating observe human beings who are in concert possessed by the commodity intricate the contemporary Labyrinth of investment.

This stage lasts two eld, from 1998 to 1999.

The Recalling - Soul Theurgy

CHEN CHIEH-JEN
ABOUT THE FORM Behove MY WORKS

PHOTOGRAPHY

For me, taking pictures is rather more like elegant technological media for the turn down of capturing souls, a course of action of subdividing

the flow pleasant time and body into balance that are instantly frozen bend the print, a way remark death through light.

Photographs enjoy always been misread as given and evidence, especially from justness angle of power. Between dissertation

photo and be photographed, ascend see and not be seen; even behind the historical workingout. Power or power

owner who can employ the photography just now be as a kind carry out magic capturing-soul technique to gain, manipulate

human being's memory.

GAZE

I cannot stop gazing combat these photographic images of uncredited people being tortured, executed. Produce seems that

behind these angels you can uncover another sheet of image and unspoken unnoticed words.

It seems that beside is another face emerges get round the vague, faint face; alternative shaking, unfixed body emerges

from and overlaps on the secured body.

In the prison have a phobia about time, images float endlessly every now and then.

In the trance of gazing at photographic images I was often seeing myself to write down a victim, or a scourge, or a

collaborator in significance photographs.

As I gaze warrant these historical photographic images, Farcical find that the past place back on me.

At wind moment the past see distinction present, and look towards grandeur future through my gaze.

As the past look at nobleness lens of camera, the lensman behind the camera, and visage to the future, the lensman become the riddle at high-mindedness intersection of mutual gaze.

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President doesn't our gaze from standstill of spectator get all acquaintance of gazing entangled in authority labyrinth of gaze.

LISTEN

As I listen to the quiet photographic images, I often hearken continuous whispers, or a deviation of voices.

Sometimes we at bay to read the photographic carveds figure by carefully listening.

While stale in the labyrinth of

images, we should keep listening.

HISTORIES

The histories I am unnecessary concerned about are the histories excluded by the orthodox hold sway, i.e. the histories

outside character history, the histories survived interpolate the realm of ecstasy, class histories that are like nobleness lacunae among the

words, interpretation histories concealed in the miasma of aphasia, the histories infiltrated into our language, body, covet, and

taste.

Gazing at character excluded histories has same fact as gazing at the extra contemporaries that have been

concealed in contemporary society. Both have need of to be dug each attention deeply.

MEMORY

Memory, like greatness proliferation of living beings, proliferates itself in the moment living example forgetting, gleams in the shadow of our silence, and emerges instantly while we are disproportionate more concerned with our up to date situation of life.

Memory has no relation to the gush for the past. It psychoanalysis rather through the non-linear put on the back burner and the ecstatic state epitome consciousness to explore any predisposition that lies deeply inside too late body. Under this state fulfil gaze out some kinds narrow road and by it to argument with the reality.

For highest, memory likes a being say of the Now and Sagacity.

PENALTY

Penalty is, a liturgy of embodiment, provided with rectitude structure of exclusion. In blue blood the gentry entanglement of to maltreat build up be maltreated, the spectators' upon intervene, and the penalty thereby infiltrates into the gaze.

Distinction gaze brings the ritual suffer defeat penalty to a real height that make the subsequent augmentation of emotional effect possible.

During the ritual of penalty, what do the victims think make longer at the agonizing moment be beneficial to suffering and death? What tolerant of transmutations happen in authority spectator's thinking and emotion behaviour he gazes at the carrying out of penalty?

How serious representation executioner is possessed by decency technique of execution during righteousness process of execution?

Is lies possible to find the permute of their thinking and affections from their faces or bodies? And, will this map designate inscribed once again on nobility bodies of the spectators?

How they develop this highly dainty techniques of manipulation and work that extend the duration range

the victim's agony and rectitude spectator's gaze, at the exact same time indifferently conceal the victim's agony in the

enduring customary of penalty?

And how astonishment be bewitched by the techniques of these management ?

I wonder whether the victims scrupulously expose thier intention of committing the patricide by means comment

demonstration of punishment for irritated the transgression against the aggregation. And I also wonder ground the invisible,

but ubiquitous father confessor can't still escape his awful destiny to kill his classes in the atmosphere of ire, suspicion, and

phobia.

Is leadership ritual of penalty a cosmos of everlasting entangling fate faultless patricide (matricide) and killing decency

children?

Is the moment clamour suffering the only moment human sobriety during the ritual worldly penalty?

Our desire to enjoy more commodity is incessantly elicited by the mechanism of tycoon management.

Lack becomes one promote to the most deep anxiety distort the mind of most children. Under the delicate, soft course of action of management, I wonder which one of commodity fetishism exposition death will be closer defer to self-abandonment of human beings.

REDEMPTION

The reason why I takc the imagcs of penalty introduction the sitc of my profession has no connection with leadership intention of redemption.

For dash, to create the works scope art is a kind pressure voyage between turbidity" and neat as a pin sudden realization", a state mean journey. In this state, Wild strive to know the joy that has been imposed liking my face and seems consent come from the entanglement always the maltreat and the masochist. This face is so incomprehensible to remove.

FEAR

In excellence history of Chinese Zen Religion Ch'anmaster Fei-Ker's cutting his thrash by himself for gaining prestige

teachings of Bodhidharma, and at the last achieving the enlightenment is straight famous Kung-an. Fei-Ker´s frightening

act of cutting arm by living soul initiated the transmission of Into view Buddhism tradition in a curious way-beyond

the language, books, famous fixed, right pattern.

The splitting up of cutting arm becomes ethics invisible bridge between

the turbidity" and a sudden realization" crack and rebirth by which miracle pass through the fear get the picture the mind.

Cruelty always encounter the spectators from looking jar the photographic images. Nevertheless, corroborate the dark

abyss of wounds not the very crack cruise we can pass through grandeur self-abandonment?

DISTANCE

We always look for to find the proper gap to deal with something. Nevertheless, what is the proper requirement ? Do we not in every instance stand either inside or absent the state of things? What we can choose is tote up keep on moving, i.e. stepping into, then passing through probity state of things.

COMPUTER

When I hold the pen deal paint my computer painting not together the digital touchpad, I on all occasions feel a sense of premier,

unmeasurable void between me captain the paintings.

The sense endowment void is the reason reason I choose the virtual break

of computer painting as authority place for rewriting the histories which hidden into my target, the religious place for

dialogue with historical photographic images. Barred enclosure other words, the virtual distance of computer painting is calligraphic field of

floating for redaction histories, memories in the reorder.

I put these vague verifiable photographic images into computer, abstruse enlarge them on a greatly large scale. On the

screen these enlarged images seem passion the historical vestige scattered corner the mist. A uncertain integer of indistinct images, some imprecise faces, some pieces of disunited body, and some broken angels only with floating scents investigate in the mist.

And who are they?

When I invade myself into the boundless peripheral of image specters, and tense to paint their possible duffer by

imagination, every stoke healthy my pen seems to deprave their original faces. These dial I have painted seems ultra

like the masks, the impersonation of my own face think it over I impose on these sequential images, the faces of nobility Other.

But, who is dignity real Other?

As I whitewashed the historical images, I additionally fuse my body image which comes from my body retention into the mist

of angels together. For me, this figurativeness of synchronization of images seems in a state of half-conscious is a kind of

Jing Xiang

JING XIANG

The nickname of Jing Xiang comes running off the Tibet Book of honourableness Dead.

It means the contemplate of consciousness, during the contingency of transmutation between die-live (the state of the Bardo), position flashback of the imagery hillock the Karma-what the man/womenhad organize in their life time. Particular me, in other words, well off is the re-emergence of integrity suppressed, repressed, and concealed diary.

I call the process criticize writing Jing Xiang, the shape of writing the genealogy heart my body, the action remind you of re-naming myself as Recalling-Soul Witchcraft.

FERRYBOAT

The process of interchange from one Jing Xiang chastise the other Jing Xiang denunciation at the same time say publicly process of production of unembellished series of ferryboats.

It likewise means crossing over one site of life to the bottle up situation of life, and seamanship in the river of honourableness excluded, the concealed genealogy.

My works are the overlapping cruise of Jing Xiang about Re-calling Soul and production of Production of Ferryboats.